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But perhaps the best part was what it demanded of the audience. We, too, had to imagine the set the house, the beach, the outdoor shower which has its comic moment, conveyed solely by dialogue, the I Tell Dad Jokes Periodically Shirt tray of cocktail glasses shattering to the ground, the sudden fist-fight that burst out between the characters played by Ferguson and Quinto. There were occasional voice-overs by an unseen narrator, filling in some of the blanks. In addition to marveling how convincingly the actors conveyed the impression that they are all in the.
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Same room together, I found myself listening even more intently to the dialogue than I would have in the theater. With no visual clues to tip you off to the I Tell Dad Jokes Periodically Shirt action, the words were everything and they grew in power as the evening progressed. I felt completely transported. Even the occasional glitches seemed to have a deeper meaning. Graynor seemed to go slightly out of frame during a couple of scenes. Had she not played close enough attention to the angle of her laptop. Or I was this skewed view somehow emblematic of the flightiness.
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Of her character, a highly dramatic of apparently limited talent. And then there was intermission. Instead of racing off to the I Tell Dad Jokes Periodically Shirt bathroom before the line got too long or wondering yet again if I should pay too much money for a glass of mediocre, warm white wine, I watched funny, informative, and gossipy taped interviews with Nathan Lane and Christine Baranski both members along with Swoozie Kurtz and Anthony Heald of the original cast poured another glass of the Pinot Grigio chilling in the refrigerator. I texted with my friend.
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This performance, which was directed by Trip Cullman and produced by Broadway.com with Eric Kuhn and Justin Mikita, is one of several efforts to live-stream theater as a way to raise funds to help out members of the I Tell Dad Jokes Periodically Shirt theater community, many of whom don’t know when they will ever work in the live theater again. A new weekly series, called Plays in the House, is live-streaming one-time readings of classic Broadway plays, some featuring members of the original casts. The first performance was of Wendy Wasserstein’s The Heidi Chronicles.